Monthly Archives: February 2013

Background music

One of the worst things about working in a restaurant is having to listen to the same background music every day. Why do we have music at restaurants? Who thought that it would be a good idea to constantly pump random songs into a dining room? Is it part of the dining experience? I don’t think so. Music is such a personal thing, all about tastes and preferences.

But whatever, you don’t go to a restaurant because you want to hear music, you go because you’re hungry, and so chances are you’re not even paying attention to what’s going on in the background. In fact, I’m trying to think right now, of all the places that I like to go out to eat, do any of them have music? I have no idea. But I’m sure the wait staffs at those restaurants are all very aware of the music.

I’ve worked at three restaurants in my life. The first one was in high school and college. The boss just pumped a soft-contemporary FM radio station throughout the front of house. In the kitchen, all of the chefs blasted Dominican music. At least radio stations keep things mixed up. Sure, they play mostly the same songs every day, but they’ll throw in a few wild cards, probably for their own sake as much as any listener’s.

What was great about that first job was that the whole place was run by a fifty-fifty mix of high school kids and recent Dominican immigrants. So there was a lot of joking around, a lot of changing the restaurant’s radio station when the boss went out to run an errand. Sometimes we’d feed in a metal station or a merengue mix and then keep it at a low enough volume where customers wouldn’t complain.

The boss was a great guy, but he had a crazy temper. So when he got pissed, it wasn’t like he’d fire you or anything, he’d just kind of scream and curse for a few hours, in half-English half-Italian, with the staff trying to act contrite while at the same time holding back the laughter. “You motha-fucking a-morons with your-a motha-fucking a-music! What are you a-looking at? Don’t you have a-something to do? I’ll a-give you a-something to do! Wipe-a down tha fucking counter! A-you! Go a-clean-a the motha-fucking bath-a-room! A-mooove!”

After college I thought I was done with the restaurant business. But the sitting in a chair and pretending to do work while really surfing the Internet all day business wasn’t working out, and so I started a-waiting a-tables again, full-time. This restaurant was in the city, so longer lines, higher prices, more of an expectation to treat it like a real job.

Unfortunately, the general manager at this restaurant was totally incompetent, a serious drug addict who, rather than actually manage the business, just left everything as it had been set up decades ago while she holed up her office all day getting good and coked out. The music situation there was this really old CD player with a few mix-CDs compiled sometime ten to fifteen years ago.

It used to drive me crazy, hearing the same twelve tired songs over and over again. The staff asked about getting an iPod or satellite radio, something to mix it up, but the GM wouldn’t have it. She probably loved hearing us complain, anything that made anybody else a little bit less happy was probably all that she was looking for in life anyway.

But she had no idea how to run a business, and so we started making our own CDs and throwing them in the rotation. Things got out of hand. When Whitney Houston died, somebody made an all Whitney CD. One time the GM was storming through the restaurant, screaming at this person and that person. In the background, Whitney was belting out the Star-Spangled Banner. It was such a surreal situation, again, everybody trying not to laugh at the boss’s obliviousness to the business, to life.

I’ve since switched restaurants, this time to a more upscale place. Like I have to wear a tie. Like I have to say “beverage” instead of “drink” and “guest” instead of “customer.” They have this ridiculous sound system with a bunch of songs programmed to coincide with the time of day, with the weather. It’s a little more organic sounding, but working there day after day, it’s equally ridiculous. Certain songs get stuck in my head that, had I never taken this job, I’d never even have heard in the first place. And I’m all for eclectic tastes and getting outside of my comfort zone, but most of the music is unlistenable. I’m thinking that maybe they’re doing it on purpose, just to get people to pay their checks and leave faster.

Whatever, it’s not a big deal. Every bullshit job has their fair amount of bullshit to deal with. Bad music on repeat is just a staple of the restaurant industry for whatever reason. I don’t get it. The restaurant doesn’t assume everybody likes veal and automatically serve everyone veal. But they do it with smooth jazz and bossa nova. Just, the next time you’re out to eat, pay attention to the background noise. Think about what it would be like to hear that same song in an hour, in two hours, tomorrow, the next day, everything on repeat, over and over and over again. Crazy, right?

Just letting my mind wander a little

I get so bored sometimes. I’ve been staring at this computer screen for the better part of an hour just trying to think of something to write about. I don’t know where my ideas usually come from, but it’s just not happening today. I bought this ten dollar application for my computer called Freedom, and it totally blocks out the Internet for specified amount of time. I thought, this will be great, I won’t have any distractions, I’ll get all of my writing done a lot quicker.

But the writing isn’t coming out. And I don’t have anything to do now, because I shut off the Internet. And I planned it perfectly, so that it’s only going to come back on right as I have to leave for work. So I’m just sitting here at the kitchen table tapping my feet on the floor.

What else is there to do? Maybe the Internet’s not holding me back, maybe it allows my mind to wander, to stretch to an extent that I get creative. Maybe I’ll waste an hour clicking from link to link, but maybe that inspires some base part of the creative process. Or maybe I’m just going through Internet withdrawal right now and my brain is trying to come up with nonsense reasoning of why I should have never allowed myself to shut off the Internet in the first place.

I had three cups of coffee right before I sat down. So my leg’s tapping furiously against the chair, against the floor. I’ve gotten it to such a perfect pace that my entire thigh muscle is completely bouncing up and off the bone. It’s a weird feeling, and I can only keep it up for a little while before my foot starts sliding on the kitchen tile. I lose the rhythm, I have to pull my foot back and, try as I might, I can’t find those measured beats again.

Every day around two o’clock the sun starts pouring through the kitchen window, totally blinding me to the point where I can’t even see my computer screen. It’s been kind gloomy out lately, so I’ve gotten used to being able to sit down for an extended period of time without having to move across the room avoiding the sun’s direct rays. Now it’s just coming out sporadically.

Would you consider sporadic to be a big word? I try to avoid big words. Not because I don’t like them, or don’t understand them. Sure there are tons of big words that I don’t understand. I just feel like a lot of the time it’s a trick, a way to come across as intelligent without really being intelligent. There was this kid I worked with in high school, kind of a dick but whatever, when you’re in high school and you don’t have a car yet you kind of just hang out with whoever’s around. And I worked with this kid all the time.

And he always had a way of using unnecessarily long words in totally inappropriate situations. One time this kid made a joke to our boss, but it was a really shitty joke, and it didn’t get any sort of a reaction whatsoever. And so as my boss just stares at him, the kid says, “I was being facetious.” It looked like somebody was spending a little too much time prepping for the SATs.

Facetious. Give me a break. As I went through college, as I spent a lot of time writing and editing for our school’s newspaper, I found a bunch of words that people would use over and over again for the sake of sounding smart. Words that weren’t necessary, like facetious. You could just say that you were joking around. No, people liked to use facetious. Plethora. That’s another one. Copious. Whatever, they’re words, and so I guess you’re allowed to use them, but nobody talks like that in real life. It just sounds so contrived, or made up.

Sporadic. The only reason I feel like that’s an acceptable word is, one, because I already used it, and so I don’t want to sound like a hypocrite, but two, I learned it from the movie Clueless, where they’re all studying for the SATs. And they learn the word sporadic. And then the older brother says to that girl, “Be seeing you,” and she responds, “Hope not sporadically,” and they kind of wink at each other in that haha we just used the word we just learned about.

And the reason I remember this scene so well is because they played Clueless on HBO pretty much nonstop during the early 2000s. Whatever, if you didn’t have cable, or worse, if you had cable but no HBO, you probably have no idea what I’m talking about. But if you had HBO, you know exactly what I’m talking about, and so, yeah, I think sporadic is totally appropriate. I’m not being facetious. I’m being super serial. (That’s not from Clueless, that’s from South Park.)

Mike, you going to eat that sandwich?

Hey Mike, it’s Rob. I just wanted to ask you about that chicken parm hero you left in my fridge last night. Were you planning on coming back for that? Did you just forget it? Let me know, because I’ll eat it if you don’t want it. Or if you want me to bring it with me the next time I see you, I could do that too. Just, yeah, just let me know. All right. Bye.

Mike. I just got back from work and I’m starving. I’m looking right at that sandwich and I’m so tempted to just pop it in the microwave and dive in. Would that be OK? I don’t want you to show up later and to not have that sandwich. You did forget it, right? I’ll wait a little bit. Just call me back when you get this, OK? Thanks.

OK, so I waited a couple of hours but I couldn’t take it any longer, so I went out and got some McDonald’s. Swing by and pick up your food whenever you feel like it. Or just call me back, just shoot me a text, if you want me to hang on to it for you, if you’re not interested anymore, whatever. Do you want me to throw it in the freezer? The sauce might last a month in there, but the bread? I don’t think it’s going to thaw out well. I’ll just keep it where it is. Call me back.

So I think this is like the last day that we can possibly do something with this sandwich. I’d eat it today. It’s definitely not as fresh as it was when you put it in there, or even yesterday, but it’s totally edible. I lifted back the wax paper and swiped my finger through the corner – is that cool? I just wanted to taste it, to see if it’s still good. It’s still totally good, but I can tell it’s about to turn any second. I’ll eat it. I’ll still totally eat it. But if you want to eat it, seriously, that’s cool too. But one of us should eat it. It’s still perfectly good. Perfectly … acceptable.

All right Mike, I think we blew it here. Your sandwich has definitely passed over to the other side now. I’m not going to eat it. So, I mean, I don’t know what you’d want with it at this point, but I feel bad doing anything until you give me the go ahead. Hit me up. Thanks.

Mike, I know that I told you yesterday that the sandwich was bad, and yeah, it doesn’t look too great at all. The bread is definitely a little grayer than bread it supposed to look. But I did the finger test again today with the sauce and I’ve got to tell you, I’m pleasantly surprised. I probably wouldn’t eat the bread, maybe not the cheese either, but the chicken? The sauce? I think that’s potentially salvageable. What do you say? Call me up. Stop by. We can share it. Or you could take it back, it’s your sandwich.

OK, we’ve absolutely crossed the point of no return here. There’s mold all over. I don’t know if it started from the bread, or if it’s contaminated the whole sandwich, but it’s gross. The wax paper wasn’t doing a good enough job keeping everything together. Well, I don’t really know how long that sandwich would have lasted even if it were sealed. And a totally closed environment? That might have spelled the end of the bread even earlier. Anyway, it’s not happening. Just come by and throw it out, whenever you’re free.

Mike, the mold from your sandwich is starting to make me a little uneasy. It’s really splotchy, furry. I’m worried that it’s going to contaminate the rest of the food in my fridge. Can you come get rid of it, please?

Mike, I just had to throw out a pineapple. It was perfectly good. There’s no way that it should have been able to grow mold on it so soon. Mike, come by, take the sandwich, throw it out, bring me a new pineapple.

Mike, my cheese drawer is in bad shape here. You free later?

Mike, I can’t even open the fridge door anymore. It smells terrible, unbearable. Bring some bleach.

Mike, I threw it out.

Mike, I took it out of the trash and put it back in the fridge.

Mike, OK, yeah, I got rid of it. Sorry man. I’ll make you a new sandwich sometime. Are we cool?

Nobody appreciates the magic of a good omelet

One thing I’ve been trying to perfect for a while now is a really good omelet. A couple of years ago I was reading the New Yorker, and there was this cartoon. It was a magician on stage and he had this portable little stove, on top of which he was operating a frying pan and a spatula. The caption read something like, “Nobody appreciates the magic of a good omelet.”

And that kind of stuck with me, because I can never make a good omelet. I’m a pretty decent cook. When I was living in Ecuador with the Peace Corps I prepared almost every single meal. I learned how to make everything from scratch: bread, pizza, bagels, pasta, ice cream. But omelets. It’s like I have a block in my brain that makes it impossible for me to make a good omelet.

It’s not like it’s a hard thing to do. You can go to any diner in the country and order an omelet, because every single short order cook in the country knows how to make an omelet. Eggs. A little milk. Some butter. Frying pan. Bam. Omelet.

Mine usually come out too well done on one side. And then I’ll try to flip the whole thing over and it falls apart. Recently I did some omelet reading, one cookbook said that you really don’t have to flip the omelet. Or maybe that’s just a personal preference? I don’t know. Flipping or not flipping, it all comes out the same, like shit.

And then I have to sit there and eat my disgusting omelet, the whole time thinking about the diner down the block from my house, and how probably at that exact moment, there are people sitting there at their tables, drinking their cups of coffee and their large glasses of orange juice, and they see the waiter come out of the kitchen holding like four plates, and they get excited, like maybe this is it, maybe this is my omelet, and so they pick up their utensils, getting ready to just dive in as soon as the plate hits the table. But the waiter passes right by. Not their omelets, it’s the other table’s omelets. And those people are so happy, because they did the same thing, they got faked out like three or four times, watching omelets go to every other table but theirs, theirs and that first table I was describing, still waiting. But everything’s coming out sooner or later. Everybody’s going to have a professional omelet eventually.

Everybody except for me. And I deserve it more. I actually sauté the mushrooms separately, making sure they’re perfectly seasoned. And the same thing with the peppers and the onions. I’ve grated out just the right amount of cheese. And then I blow it. The eggs won’t hold their form as I try to transfer everything to the plate, and so now I’ve got a poor-man’s version of an egg-scramble, but unlike good scrambled eggs, there’s nothing creamy about mine, nothing soft and velvety. Just these kind-of chunks of hard egg pieces, the filling just spilling out from the inside, wanting nothing to do with the egg massacre I’ve unleashed upon my kitchen.

And I look back at the stove and the pan is going to be impossible to clean, egg flaps dripping off the side, blackened, fused the metal. And the stovetop isn’t any better. It’s a mess. But it’s too hot for me to do anything about now. I’m going to have to choke down my breakfast first, try to imagine each bite to be something that it’s not, something palatable, something edible, I’m holding back the gag reflex as I try to swallow the unswallowable.

It takes forever. A good omelet always disappears off the plate, like you don’t know where the time went, where breakfast went. But trying to eat a bad omelet is what I imagine being stuck in purgatory must feel like. From a distance everything looks like breakfast. And just as you move in, hoping to get something to eat, you notice that burnt egg smell, you see the disaster in the kitchen, and you realize all too late that it’s not somebody’s else’s breakfast, but it’s all yours, and you have to sit there and eat every last bite.

The other day I was at a pretty nice restaurant and they had a spinach and goat cheese omelet on the menu. Of course I ordered it, and of course it was the nicest omelet I’ve ever seen in my life. I read an article in the newspaper one time about omelets like this, really professional omelets, “prepared in the French style.” To look at it almost makes you doubt that your eyes are working at all. First of all, the texture is absolutely flawless, smooth, like a yokey piece of glass. Every single spot is cooked uniformly, without any browning whatsoever. And as I cut into the middle, the goat cheese was barely starting to melt, blending perfectly with the still runny eggy interior. I wanted to cry. I wanted to get angry. I wanted to destroy that omelet. I wanted to be that omelet.

After I read that article I tried to replicate the chef’s instructions. Something about the perfect amount of butter, the perfect wrist action to keep the omelet from sticking to the bottom of the pan. I did everything I was told. And the results? Worse than you can imagine. Infinitely worse than all of what I’ve already told you, combined. It was my worst omelet yet.

I’m at this fancy restaurant staring at omelet nirvana on my plate. It was delicious, smooth, fluffy, moist. I started to cry. My tears fell into the omelet and added the perfect brine of salt. I looked around and everybody was doing the same. This was all part of the show, part of the omelet. Part of me is still crying inside. I’ll never be able to make an omelet like that. Never.

Sports, strength, hand-eye coordination

I want to be better at basketball. I’m pretty tall. I can run. There’s no reason why I shouldn’t be a pretty dominant player on the court. I play once a week, and I always imagine the other team’s perception of me, of my game. Everybody’s shooting around, everybody’s sizing each other up. Then I line up for the tip off. I jump for the ball, hopefully it’s not even close. But after that, I worry that I’ve already peaked.

Sure I can sprint down the court really fast. Yeah I can stand right under the basket and block any inside shots. But rebounding? More often than not I’m just swatting the ball away. It’s like I can never get a grip. It doesn’t matter if it’s well within reach or just slightly out of my arm’s way. Even though I know that I should be grabbing the ball and bringing it close to my body, I always wind up just slapping it, like it’s a volleyball game, a bad volleyball game.

It’s got to be a coordination thing. Sometimes the ball will bounce right at me, and I’ll still miss the rebound. Passes that should wind up directly in my hands sometimes hit me in the face, followed by my own hands, also hitting me in the face, trying unsuccessfully to follow the ball, to get some sort of a hold on the object of the game.

After ten minutes of game play, the other team is on to me. As long as they can move the ball around and keep it outside, the majority of my advantage is successfully neutralized. On offense, I’ll score a couple of baskets every game, really just due to a combination of my height and dumb luck. But I don’t know. I should be better. If my brain just knew what to do on a second to second basis, I think I have a basketball player’s body. Something’s got to click eventually.

I wish I were a better skier. I’m fearless. So it’s not any sort of built-in inhibitions holding me back. It’s the technical aspects. I’m really good at holding my legs together and going straight down the trails, but where’s the skill in that? Where’s the technique? I’ll be effortlessly flying down the mountain, not really doing anything other than standing there on my giant skis. And then I look to my sides and I see these seasoned pros artfully dodging moguls and cutting symmetrical zigzags in the snow.

I try to do that. If I cut the snow on my right side I can kind of do it. I have to be going really slow. But I can’t get my body to swivel at all the other way. My right leg always gets stuck trying to bend. I’ll fall over trying these techniques out at slow speeds. Again, it’s not a matter of a lack of practice. I go skiing every season. It’s got to be an internal block, some kind of resistance holding me back.

When I was playing hockey growing up it was the same problems, a miscommunication somewhere between my brain and my legs. I could never really get the hang of the hockey stop. And when I did, when I finally learned how to stop after my parents sent me to a weeklong intensive training camp, it was still only on that one side. No matter how hard I tried on the other, I’d always wind up cutting the blade into the ice at too dramatic of an angle, instead of slowing my momentum I’d stop way too abruptly, falling and tripping over my own legs.

Whatever, sports are supposed to be fun, just a way to blow off some steam. But still, even though I know I’m doing this stuff purely recreationally, I still get into it, I still want to get better, sink more baskets, master those moguls, stuff like that. I have the energy to do it. I even have the knowledge of what I’m supposed to do, in theory. But in the moment, my body is always moving much faster than my brain. I’d love to be able to stop and think it through, but it’s usually the case that I get my moment and blow it before I even have a chance to realize where I am or what I’m doing.

I really don’t take myself this seriously. I just wish I were better, faster, stronger. And I wish I knew how to play lacrosse, and golf, and motocross, and hang gliding also. Hot air ballooning, skateboarding – I’ve never even been able to ride a block on a skateboard – cross-country skiing. I’ve never played tennis. Maybe I’m really good at tennis! I’m terrible at ping-pong. There was this kid at college that destroyed me in Super Smash Brothers every game, regardless of what character he picked, it didn’t matter that I was Captain Falcon every time. Sure I’ve changed a flat tire now and then, but oil changes? Coolant leaks? If I ever break down in the middle of nowhere without a cell phone, I’m fucked, I’m at the mercy of passing strangers. And maybe one of them will come up to me and, while they’re helping me call a tow truck, they’ll be like, “Wow, you’re pretty tall. Any good at basketball?” And what am I going to say, am I going to start going through this whole boring speech about my reflexes and how I’m pretty good at defense but otherwise I’m a huge spaz? No, I’ll just be like, “Yeah, basketball. Any word on when that tow truck’s coming?”